PLAY SPACE. TESTING GROUND. BAD SYNTAX. A running feed from my studio practice.
composing for a wall with wall-painting. mockup bendy frames for drawings and text
Finding some new compositions. Splicing letterforms and word-like shapes together across from a “baseline” curly bracket
testing out some install ideas for tegnetriennalen
Cabin work session, in the mountains of Norway. Developing the structure for the KUNSTFELTET book.
A uniform is a code. Here, the code is scrambled.
I really cherish these coffee breaks/cake breaks/lunch breaks we take together. Our host farmer, Sverre, his mates who would help with the harvest too, and us artists, participating.
farmwork really is like performance work. You have an idea of how to get a certain outcome in theory, but in the moment you also have to listen, react, improvise, judge.
Day 1 of potato-performing over scenic Randsfjord.
Artist life is donkey life. Gearing up to perform.
Last minute touches on our costumes for KUNSTFELTET.
Researching the motif of potato picking in Norwegian art.
KUNSTFELTET site visit, Sverre showing me the potatoes.
Drawing a new bracket, this time in the sky.
Paddling to the coastal marker I painted in the landscape.
testing my curly brackets in the landscape of Fyresdal
Can I make paint with this?
Cut-paper sketch for the Cambrridge Art Galleries show “eating the other”
Cut-paper sketch for the Cambrridge Art Galleries show “eating the other”
interview and artist talk at RAM gallery, Oslo.
Framing “Wait” at Trafo.
Open studio at Latitude 53
cheez whiz on celery boats, english to french to cree books, and Garneau theatre. I’m home!
Artist in residence
A micron-thin layer of ink on a piece of paper is all that authenticates an identity.
Studio inspiration from a mentor, Etel Adnan. “Intrusion de la memoire” 10 and 9.